Mathias Malling Mortensen’s artistic language is purely abstract. Without formal art training, he formed his artistic interests by observation. Surrounded in his childhood by the works of his grandfather, the Danish artist Richard Mortensen, Mathias Malling Mortensen nourished his interest in art through an interest in the oeuvre of his grandfather and his grandfather’s inspiration sources: Kandinsky and Miro.

Synesthesia

Preliminarily drafts are always the starting point of Mathias Malling Mortensen’s work in which he, however,seeks to achieve a sense of spontaneity. He often works on the same motive more times playing with the composition by changing the format of his canvases.

There is a sense of rhythm in Mathias Malling Mortensen’s works. Looking long enough at his canvases a subtle ear might start to hear the jazz’s irregular rhythms overlaid with music. The sequence of colourful shapes in Mathias Malling Mortensen’s compositions sustain in us the idea that his works are a study of the intersection of music and art.

Monotypes

Mathias Malling Mortensen’s series of 12 monotypes deepened the artist’s delicate investigation into materiality. By using the canvas rather than paper for those graphic works Mathias Malling Mortensen was able to show the brushmark with which he built his compositions, keeping a sketch-like freshness. Running the oil painted copper plate, through the press allowed the colours to mix and merge in a new way. The hybrid nature of the project plays with the ambivalence between the use of a traditional printing technique and the unorthodox approach to the choice of canvas as the work’s media. Stretched on a stretcher and framed the spectator is invited to look at a graphic work presented as a painting.

Mathias Malling Mortensen, born 1980, lives and works in Copenhagen, Denmark. His recent exhibitions include New works, Jacob Bjørn Gallery, Aarhus (DK), Twelve Rooms, Bricks Gallery, Copenhagen (DK), Cages, Minuit Vernissage, Copenhagen (DK). Mathias Malling Mortensen’s work is included in the collection of The Danish Arts Foundation.

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Unlike Mathias Malling Mortensen, Erin Lawlor prefers to define her work as non figurative rather than abstract but shared to the two artists is the sense of rhythm that in the case with Erin Lawlor is obtained with a single movement of the hand.